Steven Mann and Ray Wong have co-founded Steven Ray Artists, a company that works with supplying musicians, singers, and dancers to event planners for luxury events in NYC, The Hamptons, and Los Angeles. Please visit www.StevenRayArtists.com for more information.
Created by Khatia Esartia and Dr. Ray Wong, 'Fluffy and Tempo visit Carnegie Hall' is an art book for children. The book follows Fluffy and her sidekick Tempo in their musical adventures inside Carnegie Hall. This children's book accompanies the colorful and humorous musical suite of Camille Saint-Saëns' "Carnival of the Animals." Available HERE
Join us for a series featuring the American Pops Orchestra celebrating uniquely American music. Each episode features music that has transcended its original genre and audience.
A musical celebration of the iconic Broadway score written by legendary composer Stephen Schwartz.
The Queen’s Platinum Jubilee, Buckingham Palace
The Queen has been awarded the Ruth Bader Ginsburg Woman of Leadership Award, in its second year.
The award was given to The Queen for her lifelong commitment to the people of the Commonwealth and her leadership throughout the nearly seven decades of her reign. Her Majesty celebrates her historic Platinum Jubilee in 2022.
Pianists, Ray Wong and Steven Mann will be performing the Queen’s favorite song, The White Cliffs of Dover, accompanied by The American Pops Orchestra.
Luke Frazier, Conductor
Musical Explorers connects students in grades K–2 to rich and diverse musical communities as they build fundamental music skills through listening, singing, and moving to songs from all over the world. With a free online curriculum available to educators worldwide and live experiences for New York City teachers, it’s now easier than ever to bring Musical Explorers into your classroom.
For 40 years, ArtsConnection has provided innovative arts programming to millions of students in the New York City public school system, enhancing children’s intellectual, personal and social growth, while developing award-winning educational models. ArtsConnection’s programming for students, professional development, and research all contribute to a comprehensive approach, nationally recognized for its quality, design and impact across diverse learning communities.
The Orchestra Moves
Link Up guides students in grades 3–5 through a yearlong exploration of orchestral repertoire and music making. This year, we are excited to announce the return of a newly revised version of Link Up: The Orchestra Moves, which explores how composers use the orchestra to create musical movement. Students will analyze and interpret how music moves through meter, melodic patterns, and expressive qualities. Repertoire includes works by Beethoven, Márquez, Bizet, and a new commission by Angélica Negrón! At the end of the year, students will sing and play the recorder with a professional orchestra in a culminating concert in Carnegie Hall’s Stern Auditorium / Perelman Stage. Concerts will take place on May 21, 22, and 23, 2019.
The Orchestra Moves
Link Up guides students in grades 3–5 through a yearlong exploration of orchestral repertoire and music making. This year, we are excited to announce the return of a newly revised version of Link Up: The Orchestra Moves, which explores how composers use the orchestra to create musical movement. Students will analyze and interpret how music moves through meter, melodic patterns, and expressive qualities. Repertoire includes works by Beethoven, Márquez, Bizet, and a new commission by Angélica Negrón! At the end of the year, students will sing and play the recorder with a professional orchestra in a culminating concert in Carnegie Hall’s Stern Auditorium / Perelman Stage. Concerts will take place on May 21, 22, and 23, 2019.
The Orchestra Moves
Link Up guides students in grades 3–5 through a yearlong exploration of orchestral repertoire and music making. This year, we are excited to announce the return of a newly revised version of Link Up: The Orchestra Moves, which explores how composers use the orchestra to create musical movement. Students will analyze and interpret how music moves through meter, melodic patterns, and expressive qualities. Repertoire includes works by Beethoven, Márquez, Bizet, and a new commission by Angélica Negrón! At the end of the year, students will sing and play the recorder with a professional orchestra in a culminating concert in Carnegie Hall’s Stern Auditorium / Perelman Stage. Concerts will take place on May 21, 22, and 23, 2019.
Link Up guides students in grades 3–5 through a yearlong exploration of orchestral repertoire and music making. This year, we are excited to announce the return of a newly revised version of Link Up: The Orchestra Moves, which explores how composers use the orchestra to create musical movement. Students will analyze and interpret how music moves through meter, melodic patterns, and expressive qualities. Repertoire includes works by Beethoven, Márquez, Bizet, and a new commission by Angélica Negrón! At the end of the year, students will sing and play the recorder with a professional orchestra in a culminating concert in Carnegie Hall’s Stern Auditorium / Perelman Stage. Concerts will take place on May 21, 22, and 23, 2019.
Link Up guides students in grades 3–5 through a yearlong exploration of orchestral repertoire and music making. This year, we are excited to announce the return of a newly revised version of Link Up: The Orchestra Moves, which explores how composers use the orchestra to create musical movement. Students will analyze and interpret how music moves through meter, melodic patterns, and expressive qualities. Repertoire includes works by Beethoven, Márquez, Bizet, and a new commission by Angélica Negrón! At the end of the year, students will sing and play the recorder with a professional orchestra in a culminating concert in Carnegie Hall’s Stern Auditorium / Perelman Stage. Concerts will take place on May 21, 22, and 23, 2019.
Link Up guides students in grades 3–5 through a yearlong exploration of orchestral repertoire and music making. This year, we are excited to announce the return of a newly revised version of Link Up: The Orchestra Moves, which explores how composers use the orchestra to create musical movement. Students will analyze and interpret how music moves through meter, melodic patterns, and expressive qualities. Repertoire includes works by Beethoven, Márquez, Bizet, and a new commission by Angélica Negrón! At the end of the year, students will sing and play the recorder with a professional orchestra in a culminating concert in Carnegie Hall’s Stern Auditorium / Perelman Stage. Concerts will take place on May 21, 22, and 23, 2019.
Link Up guides students in grades 3–5 through a yearlong exploration of orchestral repertoire and music making. This year, we are excited to announce the return of a newly revised version of Link Up: The Orchestra Moves, which explores how composers use the orchestra to create musical movement. Students will analyze and interpret how music moves through meter, melodic patterns, and expressive qualities. Repertoire includes works by Beethoven, Márquez, Bizet, and a new commission by Angélica Negrón! At the end of the year, students will sing and play the recorder with a professional orchestra in a culminating concert in Carnegie Hall’s Stern Auditorium / Perelman Stage. Concerts will take place on May 21, 22, and 23, 2019.
Directed by Yuval Sharon | 2016
Acclaimed opera director and MacArthur fellow Yuval Sharon captures an innovative staging of Christopher Cerrone’s widely acclaimed opera, adapted from Italo Calvino’s 1972 fantastical novel. Exploring sonic qualities of decay and lushness through the use of found objects and pre-recorded voices interwoven with live voices, this production of Invisible Cities, which was a 2014 Pulitzer Prize finalist, took place inside Los Angeles’ iconic Union Station, engaging audience members through wireless technology amid the hustle and bustle of the train station. The opera imagines a meeting between the emperor Kublai Khan, at the end of his life, and the explorer Marco Polo, who narrates with haunting simplicity to Khan the fantastical cities of desire, of memory, and of the imagination and mind.
Post-screening Discussion and Performance
Q&A with Christopher Cerrone and Yuval Sharon, moderated by Joe Melillo (Executive Producer, BAM). Followed by a musical performance featuring vocalist Ashley Faatoalia and pianist Ray Wong.
Bernstein’s Candide, based on Voltaire’s satirical tale, is a superb fusion of Broadway flash and operatic virtuosity. Its quicksilver overture, dazzling coloratura soprano aria “Glitter and Be Gay,” sardonic “Auto-da-fé” chorus, and deeply moving “Make Our Garden Grow” finale are highlights of an ebullient and irresistible work. Performed in concert by first-rate guest artists and Orchestra of St. Luke’s, Candide is an ideal celebration of the Bernstein centenary.
Amanda Green, Tony Award-nominated songwriter, performer and daughter of legendary lyricist and book writer, Adolph Green, joins Rob Fisher for an examination of Bernstein’s extraordinary lyric collaborations. The Greens and the Bernsteins were lifelong friends. Get Amanda Green’s personal view and behind-the-scenes stories about Bernstein’s groundbreaking shows with her father and Betty Comden, his work with the young Stephen Sondheim, the (many!) lyricists for Candide and more.
Named BEST MUSICAL of the year by both the Drama League and the Outer Critics Circle and the winner of four Tony Awards®, AN AMERICAN IN PARIS is the hit new musical guaranteed to sweep you off your feet—and into the arms of a story you’ll never forget.
Inspired by the Academy Award®-winning film and featuring the music of George and Ira Gershwin and the Tony Award®-winning choreography of Christopher Wheeldon, AN AMERICAN IN PARIS has captivated both audiences and critics, becoming the most honored Broadway musical of 2015. Its stunning combination of classic music, timeless story, breathtaking dance and state-of-the-art design results in the spectacular musical the New York Times declares “outshines anything else currently on Broadway.”
